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Their lead singer mumbled through his audience small talk, with empty appreciation and tangible self-loathing sounding more like a Seinfeld skit. During their performance about a year ago, Ought briefly stopped playing to tell people to be careful- but to be fair, that sort of rough housing doesn’t quite fit the Ought brand of thoughtful heavy art rock. I don’t attend many DIY punk performances at the Echo, but I have been subjected to the mosh pit before. If they played longer shows, Teen Suicide could probably rival the lengthy setlists from even The Ramones, who of course based their entire discography on songs that are under three minutes long.īy the end of their set, most of the audience had squeezed itself into the ten feet or so directly in front of the stage, creating a solid mass of people thrashing to the music. Their set was hardcore, assaulting the speakers and my eardrums with the noise that was created from playing a few guitars and drums at max volume and max speed. The bassist was curiously front and center while the lead singer and backup vocals flanked him on either side. Dollanganger’s sound is perhaps closer to the emo side of the spectrum of DIY bands than I would have liked, but can’t blame a girl for doing her thing she did more than warm up the crowd, convincing me that she was actually the third headliner, and not an opener as she was billed.Īs for the two main acts, Teen Suicide took the stage first after Nicole Dollanganger. The house filled up as soon as she stepped onto the stage, everyone clearly as excited or possibly moreso than they were for either of the two headliners. The Echo became a DIY heaven.ĭollanganger opened the night with crisp, booming guitars and a loud crowd to match. They returned for a sold-out show on Wednesday night, on a summer tour with Teen Suicide and Nicole Dollanganger to support the California Dreamin’ EP they released in June. It's both symbolic and unnerving in its directness, as Cash's trembling hand pours wine over a banquet he has no one to share with, and he looks directly into the camera: "You could have it all, my empire of dirt." It's astounding to me that such a strong emotive statement was expressed in four succinct minutes.Īdmittedly, this list is skewed toward my personal music tastes, but hey, that's what I know.The Echo has hosted North Carolina indie rockers Elvis Depressedly many times, and that’s just in the past two years. He chose to visually replicate Cash's health and the state of his life as did the song, sparing nothing in tackling the cruel loneliness of the later stages of life, of past days of glory, and of coming to terms with many kinds of loss.
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Heartbreakingly self-referential, Director Mark Romanek had to film in lightning time, as Cash's health was failing (June would die three months later and Johnny would die four months after that). The director gave the singer a camera for the topless portion and told her to "film her love life." The result is hauntingly real and beautiful.
#TEEN SUICIDE BAND MUSIC VIDEOS SKIN#
So raw was the topless sequence and footage of skin piercings that it was initially banned by MTV.
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(Contains sexuality, nudity, and images of piercings being performed.)ĭirected by Nick Knight, the video was shot using only natural sunlight indoors to match the rawness of the music. It takes a certain succinctness to reference so many deeply nuanced topics in four minutes and still place a personal brand on it. It weaves a complex storyline through Hurricane Katrina, race relations, police brutality, and cultural representation and pride. Directed by Melina Matsoukas, "Foundation" is absolutely overflowing with political symbolism and imagery, all interspersed with Beyoncé's signature choreography.